1/29/2024 0 Comments Tito puente take five![]() ![]() Lastly, a group that calls themselves “The String Cheese Incident,” has performed a really nice version of “ Take Five.” Those guys know how to pick a guitar let me tell you! So, I recommend that you take a listen. Chet has done a wonderful guitar version of “ Take Five.” Very smooth and relaxing. Next is a reggae version of “ Take Five,” by a group called the “New York Ska-Jazz Ensemble.” I really love this version, I don’t hear reggae musicians make good classic instrumentals anymore. If you love “Take Five” like I do, there are a few re-interpretations that I think are worthy of your ear! Starting with the late legendary Tito Puente’s version of “ Take Five.” Once known as “The King Of Latin Music,” Tito had the gift of literally turning any kind of music into something everybody wants to dance to. It was also used in many movie soundtracks. It is my understanding that a couple of years after its first release, “Take Five” became the biggest selling jazz hit single ever made at the time. However, I much prefer the versions with out the vocals. The piece was originally recorded with instrumentals in 1959 but Dave also written lyrics to his masterpiece, and it was rerecorded in 1961 with Carmen Mcrae on vocal. “ Take Five,” by the Dave Brubeck Quartet, was (and still is) my top favorite jazz piece. Jazz on the Tube has an entire section devoted Cuba and its music.I think it would be extremely rare that anybody under 30 years of age would know anything about this Quartet. Puente received the first of five Grammy Awards in 1979 for his albums “A Tribute to Benny More”, “Mambo Diablo”, “On Broadway”, and “Goza Mi Timbal.” Take Five (Album Version) Tito Puente & His Latin EnsembleGeorge Shearing. Tito’s popularity peaked during the 1950s as he gained acceptance with mainstream audiences, introducing Afro-Cuban music to the masses. Ap Born out of Harlem in the 1920s, stride pianists took the basic left-hand 'oompah' rhythm of ragtime, but played it with more swing and complexity, while the right hand played the. Tito Puente was influenced by the drumming of Gene Krupa.Īfter his hopes of pursuing a dance career were dashed due to a serious ankle injury he became the drummer of Machito’s band. ![]() His contribution especially in bringing Latin music to North American ears is incalculable. Service during WWII gave him the chance to attend Julliard on the GI Bill where he studied orchestration and theory. ![]() ![]() He started with piano lessons, but by 10 was studying drums and percussion.īy 18, Puente was good enough to land a spot on Machito’s Afro-Cuban All-Stars. I recently got hold of a Tito Puente Live version of this. Perhaps not surprisingly, he was a very active child endlessly banging on pots and pans to the consternation of his family’s neighbors. Jimmy Frisaura (Trombone, trumpet, flugelhorn) Ray Gonzalez (trumpet, flugelhorn) Jos Madera (percussion, conga) Mario Rivera (tenor sax, soprano sax, flute) Bobby Rodriguez (Elektrischer Bass) Johnny 'Dandy' Rodriguez (percussion, bongos) Composers Paul Desmond Tito Puente. Its called Take Five because it was written in an unusual 5/4 meter. Taking a short break from Palladium mambo, Puente dug deep into the. (YouTube is not always the most reliable source of info.)Įrnesto Antonio “Tito” Puente was born Apin Harlem, New York. Tito Rodriguez Centennial Celebration on May 5-6 at the Rose Theater. The YouTube stamp says that this was the final performance of Latin jazz composer Tito Puente. ![]()
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